This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938-39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy's musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music. 

Annalisa Capristois a librarian at the Center for American Studies in Rome, Italy. Her research focuses on anti-Semitic and racial laws in Fascist Italy, on which she has published several books and papers. In 2019, she co-edited a special issue ofThe Journal of Modern Italian Studieson the eightieth anniversary of the Racial Laws.

Alessandro Carrieriis an independent scholar. He was previously Visiting Research Fellow in Holocaust Studies at the Australian Centre for Jewish Civilisation at Monash University in Melbourne, Australia. He has also held a research position at the University of Trieste, Italy, and an honorary research position at the Australasian Centre for Italian Studies, Australia.