| Contents | 5 |
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| New Directions in Industrial Archaeology | 8 |
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| Introduction | 10 |
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| RE-THINKING INDUSTRIAL ARCHAEOLOGY | 13 |
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| Social Workers | 14 |
| New Directions in Industrial Archaeology | 14 |
| Experiencing Industry | 43 |
| Beyond Machines and The History of Technology | 43 |
| Industrial Archaeology | 68 |
| Constructing a Framework of Inference | 68 |
| After Industrial Archaeology? | 85 |
| THE CONSERVATION OF INDUSTRIAL MONUMENTS AND LANDSCAPES | 101 |
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| From Valves to Values | 102 |
| Industrial Archaeology and Heritage Practice | 102 |
| Publishing and Priority in Industrial Archaeology | 127 |
| Gas and Grain | 141 |
| The Conservation of Networked Industrial Landscapes | 141 |
| Exploring Mrs. Gaskell’s Legacy | 161 |
| Competing Constructions of the Industrial Historic Environment in England’s Northwest | 161 |
| ARCHAEOLOGIES OF THE FACTORY AND MINE | 180 |
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| The Social Archaeology of Industrialisation | 181 |
| The Example of Manchester During The 17th and 18th Centuries | 181 |
| Technological Innovation in the Early 19th Century Irish Cotton Industry | 209 |
| Overton Cotton Mills, County Cork, Thomas Cheek Hewes and the Origins of the Suspension Waterwheel | 209 |
| Building a Working Class Archaeology | 220 |
| The Colorado Coal Field War Project | 220 |
| Cultural Identity and the Consumption of Industry | 245 |
| The Industrial Archaeology of Entertainment | 263 |
| Colonisation in the Industrial Age | 281 |
| The Landscape of the Australian Gold Rush | 281 |
| COMMENTARY | 301 |
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| Concluding Comments | 302 |
| Revolutionizing Industrial Archaeology? | 302 |
| Index | 316 |